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Literature Film Quarterly ISSN 2573-7597 FALL 2024

VOL.52, NO. 4

FALL 2024   ISSN 2573-7597

The Underworld as a Space of Mental Illness: American McGee’s Alice and Madness Returns

Colin L. Bishoff (University of Georgia)

Media Collisions: The Intermedial Intersections of Theater, Art, and Technicolor in Laurence Olivier’s Henry V

Kristin N. Denslow (Andrews University)

Finding the Queer Shakespeare Film

Curtis Dunn (Independent Scholar)

The Contaminated Film’s Eye in Schl枚ndorff’s Death of a Salesman

Razieh Rahmani and Jeroen Gerrits (Binghamton University (SUNY)

Adaptation as Learning Transformation: Altering Conceptions of the Self via Multimedia

Rochelle Rodrigo and Larissa Runyan (University of Arizona)